I am interested in the ability of any image to evoke the unseen in the seen, the imagined in the real. Drawing, and specifically line, allows me traverse this imagistic realm. It is the locus and protagonist of my work. At play is the idiosyncratic nature of a line which assumes many roles at once. It inscribes as scrawl, denotes as calligraphy and traces mechanically at the same time that it poses as scaffold, armature, edge or shadow. It is a line which is always mark and description, articulating an image which hovers between the stated and unnameable.

In my most recent work I am exploring the generative possibilities of curvilinear line to evoke the sensually resonant nature of forms.

Jill Moser
April 2002

EDUCATION

MFA Hunter College, NYC 1981
BA Brown University, Providence, RI 1978

AWARDS

New York Foundation for the Arts, Painting Fellowship 1992
Max Beckmann Scholarship in Painting, Brooklyn Museum, NY 1978-79

SOLO EXHIBITIONS

2009
Sixteen Street, Wade Wilson Art, Houston, Texas

2007
New Paintings, Lennon, Weinberg Inc., New York City
Paintings, Wade Wilson Art, Houston, Texas

2006
Naming Game, Fine Arts Galleries, URI, Kingston, RI

2005
New Drawings, Studio Caparrelli, London, UK
Naming Game, 1708 Gallery, Richmond, VA
Westby Gallery, Rowan University, NJ

2004
Parings, osp gallery, Boston, MA

2003
Naming Game, Kiang Gallery, Atlanta, Georgia

2001
New Work, Kiang Gallery, Atlanta, Georgia

2000
Works on Paper, Kate Ganz Gallery, New York City

1999
Recent Work, Jan Maiden Fine Arts, Columbus, Ohio
Topographies, Instituto Cultural Peruano Norteamericano, Lima, Peru

1998
Topographies: Paintings, Danese Gallery, New York City

1996
North Fork Drawings, Wynn Kramarsky, New York City

1994
Paintings & Drawings, Black + Greenberg Gallery, New York City

1987
Drawings, Damon Brandt Gallery, New York City

SELECTED GROUP EXHIBITIONS

2008
Flow Chart, Lennon, Weinber Gallery, NYC

2007
The Unseen, Lee Gallery, Clemson niversity, Clemson, SC
New Prints 2007/Spring, International Print Center, NYC

2006
Getting it ‘right’, osp gallery, Boston, MA
Action Precision, Lennon, Weinberg Gallery, NYC
Opening Group Show, Wade Wilson Art, Houston, Texas

2005
New Prints 2005/Winter, International Print Center New York, NYC

2004
Masters of the Obvious, Hampden Gallery, University of Massachusetts, Amherst, MA

2003
Supercool, Katrhyn Markel Fine Arts, NYC
Recent Acquisitions: Works on Paper, The Metropolitan Museum of Art, NYC
Define Line, Metaphor Contemporary Arts, Brooklyn, NY
Line Dancing, Islip Museum of Art, Islip, NY

2002
Drawn From A Family: Contemporary Works on Paper, Colby College Museum of Art,
Waterville, Maine

2001
Painting Abstraction II, New York Studio Schooll, NYC
Lines, Kiang Gallery, Atlanta, Georgia

2000
New York-Classicism-Now, Hirschl & Adler Gallery, NYC
Snapshot, Baltimore Museum of Contemporary Art

1997
After The Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, NY
Drawing From Life, Stark Gallery, NYC

1996
Figuration Forward: Jill Moser/ Catherine Lee, Fine Arts Gallery, University of Rhode Island

1995
Drawings from the Agnes Gund Collection, The Century Association, NY

1994
Group Show, John McEnroe Gallery, NYC
Matter Matters, Proctor Art Center, Bard College, NY

1993
Black & White Drawings, The Museum of Modern Art, NYC
The Return of the Cadavre Exquis, The Drawing Center, NYC

1992
Slow Art: Painting in New York Now, PS 1, LIC, NY
Persistence of Painting, Kohn Pederson Fox, NYC

1991
Recent Acquisitions, National Museum of American Art, Washington DC

1989
American Art Since WW II : Prints & Drawings, The Art Institute of Chicago

1987
Recent Acquisitions: Drawings, The Museum of Modern Art, NYC
Art on Paper, The Weatherspoon Art Gallery, Greensboro, NC

1986
Group Show, Foxley Leach Gallery, Washington, DC
Art/Work, Bond Gallery, NYC

1985
Group Exhibition, Damon Brandt Gallery, NYC

1984
Selections 25, The Drawing Center, NYC

1983
The Black & White Show, Kenkeleba Gallery, NYC

PUBLIC COLLECTIONS

The Museum of Fine Arts, Houston, TX
Southern Methodist University, Dallas, TX
The Museum of Modern Art, NYC
The Metropolitan Museum of Art, NYC
The Art Institute of Chicago
The National Museum of American Art, Washington D.C.
National Gallery of Art, Washington D.C.
Arkansas Art Center
Fogg Art Museum, Harvard University
Seattle Art Museum, Washington
Weatherspoon Art Gallery
Yale University Art Gallery
PaineWebber Inc., NYC
Pfizer Corporation, NYC
Progressive Corporation, Ohio
Microsoft Corporation
Prudential Life Insurance, NJ
Hospital Corporation of America, Louisville, KY
Eastman Pharmaceutical, Philadelphia, PA
Wellington Management, Boston, MA,

SELECTED BIBLIOGRAPHY

Wilkin, Karen. “At the Galleries:, The Hudson Review, Spring 2008
Hirsch, Faye. “Jill Moser at Lennon Weinberg”, Art in America, April 2008
Eshoo, Amy, ed. 560 Broadway, A New York Drawing Collection at Work, 1999-2006, Yale University Press, 2008
Taubman, Lara. “Studio Visit with Jill Moser”, Artcritical.com, November 2007
Cunningham, Meredith. “Jill Moser at Wade Wilson Gallery”, artifice.blogspot.com, 3/3/2007
Devine, John. “Jill Moser at Wade Wilson”, Glasstire.com. February 2007
Farnell, Cynthia. “Jill Moser: Naming Game”, Art New England, October/November 2006
Baker, R.C. Review of Action Precision, The Village Voice, July 28, 2006
Van Siclen, Bill. Review of Naming Game at URI, The Providence Journal, July 20, 2006
Norris, Douglas. Review of Naming Game, South County Independent, July 14, 2006
Cohen, David. “The Afterlife of an Ideal”, review of Action Precision t Lennon, Weinberg, The New York Sun, June 29, 2006
Ryan, Dinah. ”Naming Game: Jill Moser”, Art Papers, March/April 2006
Wei, Lilly. Naming Game, exhibition catalogue, 1708 Gallery, Richmond, VA, Westby Gallery, Rowan University, NJ and Main Gallery, University of Rhode Island: 2005
Pounds, Kristen I. “Jill Moser: Parings”, Art New England, February/March 2005
McQuaid, Cate. “Line Items” , The Boston Globe, November 12, 2004
Westfall, Stephen. “Parings”, exhibition brochure, osp Gallery, Boston, MA: 2004
Princenthal, Nancy. Masters of the Obvious, exhibition catalogue, Hampden Gallery, University of Massachusetts at Amherst, MA: 2004
New American Painting , Number 50, Volume 9, Number 1, January 2004
Fox, Catherine. “Circular Thinking”. Atlanta Journal-Constitution . January 18, 2002
Moos, David. “Orbit” , Jill Moser: New Work, exhibition invitation, Kiang Gallery, Atlanta, GA: 2001
Volk, Gregory. “Jill Moser at Kate Ganz”, Art in America , July 2001
Wei, Lily. “Jill Moser: Works on Paper “, Art News, April 20001
Goodman, Jonathan. “Jill Moser: Works on Paper at Kate Ganz “, Art on Paper,March/April 2001
Princenthal, Nancy. Jill Moser: Works on Paper , exhibition catalogue, Kate Ganz USA, NYC:2000
Bloemink, Barbara and Greg Hedberg. New York-Classicism-Now, exhibition catalogue, Hirschl & Adler Gallery, NYC: 2000
Wei, Lily. After The Fall: Aspects of Abstract Painting Since 1970 , exhibition catalogue, Snug Harbor Cultural Center, Staten Island, NY: 1997
Tableau : Territories Actuel/ New Territories in Painting , Ecole regionale Des Beaux-Arts de Valence, France: 1997
Smith, Roberta, “Drawing from Life”, The New York Times, February 7, 1997
Brenson, Michael. North Fork Drawings, exhibition catalogue, Wynn Kramarsky, NYC:1996
Van Siclen, Bill, “Two NY Artists at URI”, Providence Journal , January 1996
Faxon, Alicia, “Jill Moser & Catherine Lee”, ART New England, June/July 1996
Tolnick, Judith, Figuration Forward: Jill Moser & Catherine Lee , brochure, Fine Arts Gallery, University of Rhode Island, 1996
Douglas, Olivia W., “Jill Moser at Black & Greenberg”, ARTnews, February 1995
Wei, Lilly, “Jill Moser at Black & Greenberg”, Art in America, April 1995.
Wilkin, Karen, “At the Galleries”, Partisan Review, Spring 1995.
Morgan, Robert C., “Drawing Deep”, Cover Magazine, November 1994
Adams, Brooks, “Slow Art at PS 1”, Art in America, October 1992

TEACHING POSITIONS

2003-07
Mentor, Empire State College, SUNY, NY

2003-04
Instructor, School of Visual Arts, NYC

1994-00
Lecturer in the Visual Arts, Princeton University

1995
Instructor, School of Visual Arts, NYC

1994
Lecturer in the Visual Arts, Princeton University

1993
Adjunct Professor, State University of New York at New Paltz

LECTURES/ VISITING ARTIST POSITIONS

2006
University of Rhode Island, Kingston, RI

2005
University of Virginia, Charlottesville, VA

2002/04
Princeton University, NJ

2002
University of Rhode Island, Kingston, RI

2001/02
Empire State College, SUNY, NYC

2000
Smith College, Northampton, Mass.

1999
Graduate Program, Ohio State University, Columbus, Ohio

1996/97
University of Rhode Island, Kingston, RI

1993
State University of New York at New Paltz

1992
Skidmore College, Saratoga Springs, NY

1989
NY Studio School, NYC

1989
Graduate Drawing Seminar, Savannah College of Art and Design

RELATED WORK EXPERIENCE

1981-1991
Associate Director, Materials for the Arts Program, New York City Department of Cultural Affairs